Tag Archives | Digital Music

Sneak Peek: Slacker's On-Demand Music Service

Tonight at the annual Pepcom holiday event in New York, Slacker will preview its new on-demand music service, a major upgrade to the existing application available on the Web, and on Android, Blackberry, and iOS phones. As long-time Slacker fans here at ZNF, we couldn’t be more excited about the launch. In addition to caching stations and enabling downloads of favorite tracks (available with today’s Slacker premium service), the new on-demand service will let users call up and play specific artists and songs at will. The new genre stations, pre-programmed by Slacker DJs, will provide details on the top station artists and songs, with an option to jump around to those tracks and others at any time. The search function will also provide more information on artists and songs, including what stations they’re programmed on, associated albums, etc. You’ll also be able to sort and play favorites easily, and there will be significantly more functionality for programming your own custom stations from any mobile interface.

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Ten Random Questions About Apple's Music Event

I’m sorry I wasn’t at Apple’s music event today to cover it live. I had fun watching it via Apple’s live video stream from the lobby bar here at the Grand Hyatt in Berlin, though. (I give the experience a B- from a technical standpoint: Eighty percent of the time, the stream worked well, fifteen percent I got audio but the picture froze, five percent it misbehaved in other ways. Then again, I was on iffy hotel Wi-Fi, so the glitchiness might have been on my end rather than Apple’s.)

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Apple's September Music Event is Official

I just got an invitation to an Apple press event in San Francisco on September 1st. Here’s the art–either the company is finally making its long-awaited move into the guitar business, or it’s scheduled its traditional September iPod launch.

Sadly, I won’t be covering this particular Apple event in person. (I have a good excuse: I’m going to be in Berlin at the IFA tech show.) But I’m curious about just how significant the news will be. New iPods are a given, and there are rumors of an Apple TV replacement and a seven-inch iPad. As is my wont, I’ll ask you for formal predictions shortly before the event, but any initial guesses and/or hopes?

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Inside Volkswagen's Silicon Valley Gadget Lab

Volkswagen never wants you to forget that its cars are engineered in Germany–hey, its current slogan is “Das Auto.” But cool Web tools,  innovative gizmos, and digital entertainment aren’t exactly synonymous with German engineering. It’s Silicon Valley that’s the world’s headquarters for that stuff. And so it’s not that startling that much of VW’s work on new and future electronics, gadgetry, and interfaces happens at its Electronics Research Laboratory in Palo Alto, California, in close proximity to electronics engineering talent the company might want to hire and tech companies it might want to work with. The ERL is also a quick drive away from Stanford University’s Volkswagen Automotive Innovation Lab, where VW collaborates with university students and researchers on new technologies. (I wrote about VAIL’s self-driving Passat a few months ago.)

As part of VW’s press event for the 2011 Jetta, I took a tour of the ERL last week. Herewith, some photographic highlights.

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Beatles on iTunes? Yoko Says No Go

Reuters’ Dean Goodman snagged an interview with Yoko Ono in which she says that the Beatles aren’t likely to show up on iTunes any time soon:

“(Apple CEO) Steve Jobs has his own idea and he’s a brilliant guy,” Ono, the 77-year-old widow of John Lennon, told Reuters. “There’s just an element that we’re not very happy about, as people. We are holding out.

“Don’t hold your breath … for anything,” she said with a laugh.

If the main issue is Steve Jobs being stubborn about some unspecified negotiating points, shouldn’t Jeff Bezos rush in, buckle under, and give Paul, Ringo, Yoko, and George Harrison’s widow Olivia basically anything they want to get the Beatles catalog on Amazon MP3? Wouldn’t that be the best publicity Amazon ever got? Wouldn’t it sidestep having to do things Steve Jobs’ way? Wouldn’t there be a chance that Apple would respond by figuring out a way to make the Beatles folks happy?

And isn’t it increasingly bizarre that we’re this far into the digital music revolution and there’s no way to legally acquire the music of the greatest rock group of them all?

Back in November, I predicted that the Beatles would be available for download within 18 months. I thought that Sir Paul’s declaration at the time that it might not happen was canny hype for a release that was already in the works. Now I’m not so sure. The big question now: Will the Beatles be downloadable before the last CD store in the world closes, or after?

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Lala's Lost, But is it Missed?

Over at CNet, Greg Sandoval’s inside sources say Apple’s setting low expectations for cloud music, and hasn’t yet acquired licenses to stream songs from its own servers.

In other words, the assumption that Apple acquired Lala to build its own streaming music service won’t pan out anytime soon. The Lala crew may actually be working on some sort of streaming video service instead, Sandoval’s sources say. Apple acquired Lala in December 2009, and shut it down in late May.

We’ve written about Lala quite a few times, because it took such a unique approach to digital music. In addition to selling MP3s, Lala sold streaming tracks for 10 cents each, and let you listen to any song once for free. It could also scan your entire downloaded music library and store a cloud version to be accessed anywhere. For Apple to offer any of those services, it needs more licensing from the music industry, and Apple reportedly hasn’t negotiated for that yet.

But as I look at the digital music landscape now, I don’t think Lala is really necessary. All-you-can-eat music services have emerged from Rhapsody, MOG and now Rdio, all of them offering mobile and desktop access for $10 per month, with the ability to download songs locally. That’s a lot more convenient than building a streaming library of individual tracks, and could be more economical for music junkies. If you just want to hear a song once for free, you can accomplish that with music search tools from Google and Bing.

As for the digital locker concept, how essential is it? Music doesn’t take up a lot of room, and storage capacity on mobile devices is only increasing. I’d rather see Apple focus on streaming video, because movies and TV shows are much more unwieldy to store and transfer. Although I was sad to see Lala go, I’m not desperate for it to come back.

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Rdio Music Service: Mobile, Social, and Impressive–and Now Open to Everybody

And the subscription music services just keep coming: Rdio, from Skype founders Niklas Zennström and Janus Friis, is leaving private beta today. That means that anyone can sign up for this ambitious new offering, which includes a Web-based service plus mobile apps for iPhone, Android, and BlackBerry. It competes against such services as Rhapsody and MOG, and from my time with it so far, it seems to do so formidably.

In terms of features, Rdio may be the most comprehensive iTunes substitute so far. (For the moment, at least–the competition is pretty intense in this category.) Like the late, lamented Lala, it can scan your music collection and add albums you already have to your online collection. (It doesn’t match Lala’s ability to give you online access even for stuff that’s not in its own collection, though, and it’s not finding every track in my library.) Its iPhone app supports iOS4 multitasking, so you can listen in the background while using another app. It has a neat syncing feature that lets you find music in your desktop browser, then auto-download it to your phone for listening whether or not you have Internet access.

Like Lala, Rdio also emphasizes the social aspect of music: Its Web-based version lets you find and follow friends and peek at the music they’ve been listening to. Every time I try a feature like this, I’m struck by the fact that my friendships almost never seem to have anything to do with shared tastes in music. But maybe you’ll find it a useful way to discover songs you’ll like.

The service says it currently offers seven million songs–fewer than Rhapsody’s ten million plus or the 13 million in Apple’s iTunes Store, but still impressive.

Rdio is a paid service, and follows the standard pricing for subscription music: The Web-based version is $4.99 a month, and Web-plus-mobile is $9.99 a month. In both cases, you can listen to all the music you like as long as you keep paying. The $9.99 fee seems to cover multiple devices (Rhapsody charges $14.99 a month if you want to listen on more than one mobile gadget).

Subscription music remains a theoretically appealing idea that surprisingly few folks choose to pay for. (People who are willing to plunk down money for songs, it seems, prefer to buy them outright rather than rent them.) But Rdio comes close to erasing all the downsides of subscriptions except for the need to keep paying, and I’ll bet its major competitors will match most of its features soon. If you’d like to feast on music for $10 a month, give it a listen.

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MOG Goes Mobile

Music service MOG has launched the iPhone and Android apps I wrote about last month. For $9.99 a month, you get unlimited streaming and album downloads in your browser and on your device. And MOG has a unique “artist radio” feature that can play only songs by that artist, rather than the more typical combination of songs by the artist, related artists, vaguely-similar artists, and not-similar-at-all artists.

MOG offers a three-day trial that’s worth checking out. Nitpick on the iPhone edition: It’s been waiting for Apple approval for so long that it’s not an iOS 4 app. That means that it can’t play in the background while you use other programs. Once it has that feature, it should be a killer alternative to iTunes. (As should Rhapsody, which says it’s working on a multitasking version.)

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MOG Headed for the iPhone, Android, and Roku

Music service MOG has a number of attractive features, including Rhapsody-like on-demand access to albums and tracks, “artist stations” that only play songs by the artist in question, and a low price ($4.99 a month for unlimited streaming). It’s also had one major limitation: It’s only been available in your browser. But MOG has plans to change that, starting next month.

As TechCrunch’s Jason Kincaid is reporting, MOG says that Apple has approved a MOG app for the iPhone–one that lets you stream or download any song from its catalog. It intends to release the iPhone app and a similar Android one in July, and to charge $9.99 for all-you-can-listen access in the browser and on a phone. (That’s low by historic standards, but the same price that Rhapsody charges for a plan that lets you listen online and on one mobile device.)

July should also see the debut of a version of MOG for Roku’s cool, inexpensive TV set-top box. Unlimited on-demand Roku listening will be included in the basic $4.99 plan; for music fans who want to listen a lot without spending a lot, it sounds like a deal.

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